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STARBLAZER
SPECIAL INDY III Spring 1985
SEAN
CONNERY IS THE REAL JAMES BOND
Sean
Connery is Back as the Bond we Love.
By
TOM SCIACCA
In
the darkened hall of the RKO Cinerama, on
dangerous Broadway, New York City, the
audience of young people awaited the
showing of The
Twilight Zone, The Movie. Loud,
brash, they suddenly hushed when
the trailer started before the film. The
announcer narrated; "Sean Connery is
Ian Fleming's James Bond in Never
Say Never Again." At that moment
the audience of 19 year olds burst into
applause, going wild when Connery said,
"My name is Bond." They ate up
the antics on the screen, the motorcycle
jump, the fights, and the action. One
young man screamed out, "Yeah-the
real James Bond." Obviously a critic
of the Octopussy
trailer that had just been shown.
Strangely
enough, most of these people weren't even
born when Connery first starred in Dr.
No in 1962, and were no more than
eight or nine years old in 1971 when Sean
was last Bond, in Diamonds
Are Forever.
Proving once again, the popularity
of Sean Connery, the legend goes on via
television and videotape.
When Connery first took on the
mantle of 007, his salary was in the range
of $50,000. For Diamonds
are Forever it was over one million
dollars, at that time the highest price
paid to an actor. That million dollars was
given to Connery's favorite charity, The
Scottish Educational Trust, a fund that
enables poor children in Connery's native
Scotland to be educated.
For Never
Say Never Again Connery is receiving 5
million dollars in addition to total
script, casting and direction approval.
In contrast, Roger Moore was a
certifiable star when he assumed the Bond
mantle, after years of The
Saint, Maverick,
and The
Persuaders. At Moore's start in Live
and Let Die he received roughly half a
million dollars, in addition to percentage
points. For his six films, Roger's salary
has risen to nearly 5 million for Octopussy:
Roger doesn't have nearly the total power
Connery has, though I'm sure he's quite
comfortable.
Contrary to rumor, Moore and
Connery are not in competition, do not
hate each other, in fact they have been
good friends for over 25 years; Moore
accompanied Connery to the Diamonds
premiere in London, in addition, Connery,
Moore and Michael Caine share the same
agent!
After Connery filmed Diamonds,
it was 'never again'. However, Kevin
McClory, who had co-written a script with
Ian Fleming called "James Bond,
Secret Agent" had other plans.
Years before, Kevin McClory had
been a brash, up and coming Irish film
director, filming The
Boy and the Bridge. McClory, Fleming,
and another writer named Jack Whittingham
had co-authored a screenplay for a
proposed James Bond film in the 1950s.
Nothing came of the script, and Fleming
and McClory went their separate ways.
Several years later, Thunderball
was published. T-Ball was nearly exactly
the script McClory had written with
Fleming. There was a heated lawsuit, which
stopped Broccoli and Saltzman from making
T-Ball the first Bond film, Eventually,
Fleming relented, and McClory was awarded
the film rights to Thunderball.
At one point in 1964 he attempted to get
the production off the ground by himself,
but without Sean Bond it was a no go. A
deal was struck with Broccoli/Saltzman:
McGlory would be co-producer of their
production of Thunderball.
After ten years, Kevin McGlory's rights
would revert back to him; he'd be able to
do a remake, or anything else. The
reasoning behind this was thus, after ten
years, Bond would be a dead issue, the
fad'd be over. How shortsighted!
Thunderball
was a runaway hit, despite the lack of
characterization and the abundance of
machinery. McGlory took his money, went to
the Bahamas, to re-emerge in ten years.
But Bond didn't die. 007 continued,
even the stray book not owned by United
Artists, Casino
Royale (1967) became a successful if
not convoluted comedy.
In 1975, Variety
had an advertisement announcing that agent
"Swifty" Lazar had read a script
called "James Bond of the Secret
Service" written by Sean Connery, Len
Deighton and Kevin McClory.
McClory had surfaced, his ten year
period up, ready for Bondage renewed. And
he had somehow convinced Connery to lend
his name and expertise to the project.
Well, Cubby Broccoli and United Artists
hit the roof, and lawsuits galore ensued.
Connery, naturally adverse to lawyers (his
advice to his son Jason, an aspiring
actor-"Don't trust lawyers!")
Connery bowed out.
At one point, the project was
retitled Warhead,
and Paramount Pictures had announced start
of production, with Larry ("
JR") Hagman as Felix Leiter and Orson
Welles as Blofeld. That too, died as more
lawsuits gummed the works. Paramount
withdrew, and it seemed that Warhead
would never be made. Connery wanted
nothing to do with it if there were
continual lawsuits. And that was the ploy
of Broccoli and UA-keep the lawsuits up,
and keep the film from being made. The
ploy worked too, for seven years until a
man named Jack Schwartzman came into the
picture.
A successful entertainment lawyer,
Schwartzman, married to Talia Shire,
Francis Ford Coppola's sister, was no babe
in the woods. Partnering himself with
McClory, he managed to knock aside the
lawsuits from now MGM-UA, and get the ball
finally rolling to get the film, now
titled Never
Say Never Again going. The toughest
nut to crack turned out to be Connery
himself. But it was Sean's beautiful
French-Morrocan wife Micheline who
convinced him to be 007 once more.
Stated Connery," When Jack
Schwartzman came to me to ask me to do Never
Say Never Again Micheline encouraged
me to think about it carefully. 'Why not
play the role? What do you risk? After all
these years it might be interesting.' The
more I thought about it, the more I
thought she was right. There was also a
certain amount of curiosity in me about
the role, having been so long away from
'it." Micheline also came up with the
title of the film, and 'in' joke that
reflects on Sean and 007.
Directing the film was another
story. Connery originally wanted Richard
Donner (Superman) but Donner turned him
down. Next in line was John Guillerman
(Sheena) but that turned sour. Irvin
Kershner was selected, his track record
good and fresh from Empire
Strikes Back, in many minds the best
of the three films of the Star Wars saga.
"I saw the chance to do
something I had never done before,
Kershner said, 'I thought it would be a
real challenge to do a Bond film with
Sean, particularly what I'm sure will be
his last film as Bond. When I looked at
the script, I was immediately interested
in the characters because-though the
action is important and there's lots of it
in the film-I'm fascinated by the people
in the story.”
"As far as I'm concerned, this
is the first Bond film ever made and I've
tried to find a style that is appropriate
to the story. The most important thing
however has been to make it fun."
said Kershner.
The screenplay was by Lorenzo
Semple Jr, (King Kong, Flash Gordon) and
the script, according to Semple, was
thrown out by Kershner. Other writers were
brought in, uncredited.
One can be assured that Connery has
his own
ideas how James Bond should be played, and
this is what is reflected in NSNA.
On September 27, 1982 filming began
on NSNA in Nice, where James Bond would
confront his enemy Largo (Klause Maria
Brandauer). Other cast members are Barbara
Carrera as Fatima Blush, Kim Basinger as
Domino, Black actor Bernie Casey as Felix
Leiter, Max Von Sydow as Blofeld, Edward
Fox as M and Pamela Salem as Moneypenny.
The story and characters of NSNA
is similar to Thunderball,
but elements of other Fleming/McClory
manuscripts (ten in all) are being used.
A comparison of the two stories are
as follows: The Original Thunderball
featured Bond, in the pre-title sequence,
fighting and killing spy-killer Jacques
Boouvier who in drag attempts to kill
Bond. 007 escapes via use of a Bell Rocket
Belt.
Recovering from his wounds, Bond
retires to Shrublands, where he uncovers a
plot with Count Lippe to murder a NATO
pilot and in the midst of this, Bond
encounters the beautiful SPECTRE killer
Fiona (Luciana Paluzzi).
SPECTRE hijacks a NATO bomber with
H-Bombs aboard. Bond goes off to the
Bahamas after the criminal organization
makes it's ransom demand of 100 million
pounds. In Nassau, Bond meets Largo
(Adolfo Celi) his mistress Domino
(Claudine Auger) and uncovers the H-Bomb
plot. After being pursued by Fiona, and
various SPECTRE agents, Bond, with the
help of the U.S. Marines, engages in a
undersea battle, recovering the bombs and
killing Largo.
In
Never Say Never...The story is
similar, but updated to 1980s realities.
This is the first Bond film to really deal
with some of the problems of the Eighties,
with terrorist organizations and the like.
Terrorism is a pet project of
Connery. He is interested in politics, at
one time he was going to run for office in
England. Some of his recent films, such as
Cuba,
Wrong
is Right and Ransom
reflect his interest in politics. As he
said in 1975 concerning this subject; “Ransom
was done as part of a deal with United
Artists for Diamonds
Are Forever. I did it when there was
slightly more hijacking than there is now.
I had originally wanted to do something on
the terrorists at Lod Airport with Moshe
Dayan. I had written a screenplay that
frightened everyone because it was
somewhat of a political sa statement. It
was called The
Israeli Story. "Interested in
politics, Connery was and still is
involved with the politics of Scotland,
and the separtist movement is one of the
issues.
The new Bond film reflects these
modern, political sensibilities. SPECTRE
is not the pie in the sky criminal
organization as in the former films, but a
down and dirty group of political
terrorists with large backing from certain
Eastern governments.
In the new version, James Bond is a
dangerous man, not only to the bad guys,
but to the Secret Service. He is an
individual in a time when individuals are
shunned in favor of computers and spy in
the sky technology. Bond is a man working
not on surveys and statistics-but the
instinct for survival. In this new world,
there is a new M head of the Service. He
is a technocrat, into computers and health
food, and would like nothing better than
get rid of 007.
Never
Say Never begins without the
obligatory 'shoot into the eye' and Monty
Norman theme. Instead, we see a figure
dart through the forest infiltrating a
terrorist camp. Finally we see the
figure-it is the real James Bond-Sean
Connery (time to cheer!) Using a special
pully, Bond catapults himself to the roof
of the villa, and with a blinding grenade,
smashes into the compound and machine guns
the terrorists-all except one. The
straggler grabs Bond and a good old Bond
fight ensues.
Bond gets out of the sticky
situation with an incredible head-butt,
and kills his assailant. We then see the
object of his mission-a woman kidnapped by
the terrorists. The beautiful girl,
struggles to get free of her bonds, 007
begins to untie her when she pulls a
hunting knife from a hidden sheath and
knifes Bond.
We think that old James has had it.
Cut to London. A video replay of the
entire incident is being watched by M. It
all had apparently been a training
mission. M tells Bond this is the second
time being killed, Bond corrects him. In
the previous mission he did not die. He
only had his legs blown off.
007 is ordered to Shrublands, a
health clinic. There, he gets wind of
something strange, overhearing a nurse
Fatima, (Barbara Carrera) brutalizing an
American Air Force officer, Jack Petachi.
Bond is spotted by Fatima, and the next
day while lifting weights, Bond is
attacked by a S.P.E.C.T.R.E. agent. A
fight ensues, whereas the two completely
destroy the kitchens and supply rooms of
Shrublands.
Back in London, Bond is reprimanded
by M for killing the goon, while at an Air
Force base, Petachi reprograms the
computer to arm two Cruise missles being
loaded on to a B-1 bomber for a test.
The two cruise missles are
launched, and true to Petachi's new
commands, are diverted to the Bahamas, and
right into the hands of Ernst Stavro
Blofeld (Max Von Sydow) and S.P.E.C.T.R.E.
The terrorists ask the Western
Powers for 10 Billion dollars or else the
bombs will be exploded in two capitals.
M reactivates 007, and he goes to
the Bahamas to check up on multi
Billionaire Largo (Klaus Maria Brandauer).
In the interim, chief assasin for
S.P.E.C.T.R.E. Fatima Blush tries to kill
Bond twice, but fails in both attempts.
Following Largo's trail, Bond travels to
Monte Carlo, linking up with his old pal
Felix Leiter (Bernie Casey). It's while
Bond is spying on Largo that he sees
Largo's mistress, Domino Petachi (Kim
Basinger) Bond falls in love with her.
At the Casino Royale, where Largo
is holding a benefit, 007 sneaks in and
confronts Largo, making it obvious that
Bond wants Domino. The two powerful men
know theirs is a game that will end in the
death of one or the other. Largo suggests
they play a video game, one of his own
design. Called "Domination" the
game is a holographic image of the world,
and each player must protect his own
territory, or face increasing agonizing
pain. Bond loses the first match, and
nearly falls unconscious from the
electrical shocks. The second match,
however, Bonds wins mightily. Largo writes
him a check, and mentions, "Are you
as graceful a loser as you are a winner,
Mr. Bond." Bond answers, "I
never lose-but I'll trade for one dance
with Domino."
During a tango with Domino (a
delightfully staged scene) Bond tells
Domino of her brother's murder by Largo.
Meanwhile the stage is being set
for another assasination attempt by
Fatima.
Bond returns to his villa, and
finds his female agent-companion dead.
Hearing footsteps, he rushes outside to
see Fatima dart into her car. Unable to
get out a shot, Bond hops onto his Bond
cycle, a specially prepared Q-cycle, and
goes off after her.
It of course is all a trap. Two
cars of Fatima's henchmen attempt to run
Bond off the road, but Bond surprises them
as the cycle is rocket- propelled. In an
amazing stunt, Bond easily jumps over the
bad guys.
Chasing Fatima into a warehouse
area, Bond is waylayed and trapped by the
now insane Fatima. Forced to get on the
ground, Fatima tells Bond to write a note
telling the world that she was his
greatest lover. Reluctant to do so, Bond
pulls out his pen- another one of Q's
little toys-and promptly blows her to
smithereens.
The next day, Bond tries to scuba
dive and spy on Largo's ship, "The
Flying Saucer". He gets sucked up
into the ship, and becomes Largo's
guest-prisoner.
Bond is brought to Palmyra, Largo's
Middle Eastretreat. It is here that Bond
is left to the vultures and Domino sold
into slavery by the arabs. Not to be left
in this situation, 007 uses his laser
watch to break out of bondage, and in a
scene reminicient of "Goldfinger"
waylays one of the guards.
Mounting a horse, Bond rescues
Domino like a modern Rudolf Valentino, and
chased by crazed arabs, goes over a sheer
wall in an incredibly dangerous stunt.
Bond is rescued by the U.S. Navy
and his pal Felix, and on board the
submarine "the Flying Saucer" is
trailed.
The final confrontation takes place
underground, where Largo plans to explode
one of the Bombs in an ancient tomb,
thereby irradiating the Middle East oil
supply for the next thousand years or so.
Bond, Leiter and the Navy
commandoes attack the S.P.E.C.T.R.E. crew,
blow the place up, and Domino gets her
last licks by spearing Largo.
Never
Say Never Again emerges as one of the
best Bond films to come out in years, and
it captures much of the feel of the early
Connery films.
Barbara Cerrera is known as one of
the sexiest actresses in films today. She
has appeared in scores of films and TV,
including I,
the Jury, Matt
Houston and Lone
Wolf McQuade. In NSNA
she is Fatima Blush, killer, "Fatima
is not all good. In fact, she's a very bad
lady. But she's exciting." said Ms.
Carrera on her character. "She thinks
of herself as a black widow spider of a
praying mantis; so before she kills her
victims she must make love to them."
Of course, Fatima must kill Bond-
.."She finds him terribly
attractive," Ms. Carrera explains,
"and she's very thrilled that she's
the one who has been chosen to give him
what she thinks of as the ultimate thrill:
death. She sees the act of murder as a
sort of ceremony and therefore there is a
certain ritual to be gone through."
On the other side of the coin is
Bond's love interest, Domino, played by
Kim Basinger. An actress and model, Ms.
Basinger has appeared in several films of
late, including Hard
Country, Mother
Lode with Charlton Heston, and the The
Man Who Loved Women with Burt
Reynolds. As a model, Basinger had a print
contract with Revlon, but that was
cancelled by the company when she appeared
in the nude in a recent issue of Playboy,
coincidentally publicizing Never.
Following in the footsteps of
Bernard Lee is famed British actor Edward
Fox as "M", Fox became an
international star when he starred in The
Day of the Jackal, and Fox has also
appeared in Battle
of Britain, Oh!
What a Lovely War, The
Go-Between and A
Bridge Too Far.
"I was terribly surprised when
I was asked if I would like to play
"M", says Edward Fox. "It
never occured to me that it might be a
role for me." The idea of Fox being
"M" was Sean Connery's idea.
"I've enjoyed playing opposite Sean
in 'Never
Say Never Again!" says Fox.
"Although we both appeared in 'A
Bridge Too Far' we had no scenes together
so we had hardly met before now. But I've
always been a big fan of his." Fox
also admits to being a big James Bond fan.
"I've read all the Ian Fleming
novels," he points out.
The character "Q" does
not appear in the film. Instead, Alec
McCowan plays Algy the Armorer, inventor
of gadgets for 007.
Miss Moneypenny however does
appear, and she is played by Pamela Salem,
who worked with Connery in The
First Great Train Robbery and appeared
with Joan Collins in The
Bitch.
Topping the list of bad guys is Max
Von Sydow, whose credits are among the top
actors in the world. Von Sydow is the
latest actor to be Ernst Stavro Blofeld.
Never
Say Never Again features Connery as
Bond today, in the 1980s. "One must
always use the humanity of the character
as a base," Connery says. "We
start with James Bond, the man, because
however original the gadgets are, it's the
human being, with all his human instincts,
who has to overcome the obstacles. After
all, that's what we all hope, isn't
it?"
It is now 12 years since Sean was
last Bond. Has his approach to 007 changed
with time? "Not really," he
says.
"I have not necessarily tried
to play him as an older man," he
asserts, "and nor do I feel that one
should attach any major importance to the
age factor.”
Connery further states, “People
ask me what place can there be for a man
like James Bond in today's highly
computerized world. Yet not so very long
ago in London we had the case of a
Bulgarian official who was murdered by a
jab from an umbrella with a poisoned tip!
And we've had people gunned down on the
steps of the Dorchester Hotel. When all
this is happening in real life, you can't
tell me there's no place for a man like
Bond."
Since the release of Never,
the worldwide gross is close to 100
million dollars, making it one of the most
profitable Bond films ever. And recently,
Kevin McClory announced the production of
his new James Bond film, to be called
SPECTRE. What with Roger Moore doing From A
View To A Kill for 1985 release, it
could be another battle of the Bonds.
Never
Say Never Again is now available on
tape and disc, so, you too can take the
real Bond home.
A final question-will Sean Connery
do Bond one more time? He says, "Wait
until this one is over and then ask
me." One can only hope. |